Ever since I upgraded to Firefox 3, the LJ web post tool has issues, particularly with embedding links. I thought (and still feel) it might be a Java glitch, but Sun's latest rev, 1.6.0_07, fails to remedy the problem.
Which leaves IE for web posting or downloading an actual client.
I think it's time to check out the clients.
For those mildly curious, I happen to use MS Publisher for web work. Lots of choices exist but I landed on it due to a cut rate purchase of Office some time back. One day I may bone up on my HTML skills, but for now, I'll stick with qualifying as 'just slightly dangerous.'
The verdict? It's true love. 10 minutes into my inaugural run, the skates felt like a comfy pair of well-broken-in hikers. For the first time, I had a set of skates where concentration and effort on skating mechanics faded to the background and my mind roamed free. At that point, the muse squealed and said "Cool. I don't have to be banished from these runs anymore. Let's have some real fun."
Thanks, K2.
I have no idea if I should attribute someone for the above pithy-ism, but it's something I've known in my heart for a long, long time. Better yet, I've lived it. In my day job where nonfiction prevails (please no snide remarks about how marketing & sales copy paired with nonfiction is a classic oxymoron). In my slowly growing collection of fictional works. Certainly in the smaller slice of that fiction collection fortunate enough to make print.
It's not the first words you utter, but that last that ring true. Or not, as it were.
On the cusp of truly launching into N2, what will be my second novel manuscript, I'm detouring down a side road to take a revealing, hopefully evolutionary journey into the world of editing. I've teed up N1 as the subject matter. And I can vouch that my learnings are already happening. In the coming days, I hope to share some of the sights and experiences with you right here.
No doubt this will be a fun ride, one way or another.
After 8 years of continuous use, our DSL modem rolled over and presented its belly skyward. My wife then had one of those stereotypical engagements with the phone company that we all know and love, which went something like this:
Wife: (calling ahead to the nearest service center) "Do you have replacement units there for pick-up?"
Tech: "Oh yes."
Wife: "I mean, just a DSL modem. You're sure you have them. Please check."
Tech: "In the back. Yep. It says right here."
Wife drives to the center. Horrendous waiting room experience ensues, sucking away 90 minutes of her life and nearly bringing her to blows with another boorish customer who tries cutting in line. Finally, she reaches the counter.
Tech 2: "Nope. We don't have those."
Wife: (blood pressure at celestial levels) "I was told you have them in the back."
Tech 2: "There's nothing back there but dust. Got some on a pallet at the airport though."
Wife: "DSL modems?"
Tech 2: "Yep."
Wife: "Why should I believe you?"
Tech 2: "Says right here ... one pallet of routers."
Wife: "Nooooo... D-S-L modems. Read my lips: m-o-d-e-m."
Cutting to the chase, it took about a week to get a replacement modem during which I came close to securing one myself and then sending the bill to the phone company. Meantime, I trotted out my ancient laptop, which was the only computer that had a ready-to-use dial-up modem installed. And we made do with that.
Barely.
I think I've ground away 1/3 of the enamel on my teeth. My gods, how did (or does) anyone function with dial-up Internet access?
Our reaction was to curb all Internet activity except for cursory handling of e-mails. No blogging, bill-paying, web site updates, browsing, board-surfing, entertainment, gaming. Nada. Absolutely no inclination to do any of that at 56K bps speeds (on a good dial-up connection, if you're lucky to get 1 out of 5 tries).
For me, it pretty much cut-off all the writing-related activity that I use the net for. And why shouldn't it? Once you've developed the taste for Bordeaux, it's an intolerable substitute to quaff Boone's Farm Tickle Pink ever again.
Things are finally back to normal, including my wife's blood pressure. DSL is fixed and humming along. And I will eagerly and contentedly shell out that monthly fee to sustain our deep-rooted habit.
Over 10 years of recreational roller blading, through 3 sets of skates, and I've never experienced a blowout... until this weekend. Good thing 3 wheels work about as well as 4, in a pinch. Not that I really wanted to experience that first hand. It was kinda necessary, though, since I wasn't up for walking a handful of miles back home. Barefoot. Mid-afternoon at over 90 degrees.
Besides the exercise advantages, blading and power walking have the added benefit of recharging and reinvigorating my muse. I've actually had stories swing 180 degree turns from where they were headed just by taking the muse out for a stroll. Pretty amazing what can happen when your butt leaves the chair and computer behind.
Of course, it's not so amazing what happens when your butt is subjected to cruel physics due to an untimely equipment failure.
Eeesh.
I can certainly understand abject frustration. I get the fact that venting is catharsis. By all means, do what's necessary to eliminate stress in your life. But do it in a way that doesn't end up ultimately piling on more stress and frustration regarding what you seek.
Boggling.
When it comes to e-mail missives, I've always been a believer in writing them up (with the To: field left safely blank), laboring over every choice word and accusation, pouring your emotions fully into every point, be stinging, mean, and vicious to your heart's content.
Then, walk away from it. Leave it alone for some safety cushion of time: 30 minutes, an hour, an afternoon.
Return to it when you've recycled your emotional state at least once, preferably more. Read the draft again with a serious judgmental eye. Consider that it will live forever and potentially could circulate to audiences you never intended to see it (called: giving it The Headline Test). Still feel strongly that it must be sent? Then, fill in the To: field, press Send, and enjoy your satisfaction.
Otherwise I recommend the Delete key. If you still have something to say, then compose anew and repeat the process.
Interestingly, that ultimate change in direction ended up giving it a much darker shade than the trajectory it was originally following. I was closing in on the finish line with it, took a break one evening for a power walk, heard the muse start rev-ving up, and ka-boom. Totally new ending. Funny how that works. Sometimes I think my muse could complete an entire novel manuscript from scratch if I were to take it on a cross-country hike.
The luster of the moment evaporated at the point where I took out the checkbook and started filling in the lines to match the bottom line on the 1040 though.
My submission count remains at 5 short stories outstanding, 1 of which would be a reprint. Shortest time out is 0 days (just dispatched to the next battlefront) and longest is 63 days (the reprint, submitted to an anthology). The reprint actually has a longer outstanding submission time on it but I'm to the point where I'm writing off the target market it went to (a PODcast).
One of my favorite outtakes from the last day of our San Diego jaunt. Nothing like some fresh greenery to satisfy a growing bear.
Where's the writing connection? Well, I just crossed the 50 post minimum over at Absolute Write forums and could now upload a custom avatar. So guess what I picked?
Firstly, here are recent write-ups from
Yes, I do attempt to glean any insight or recommendations from rejections that transcend the rote form letter, and I'm deeply grateful to any editor that supplies any such feedback, especially these days. More often than not though, like Ken mentions, a rejection note is merely a signal that it's time to dust-off and pat smooth one of your little darlings before urging them back out the door to the next evaluator on the list. Blow them a kiss and wave while you're at it, right before you purge the mindspace to swap back in those various WIPs who require your undivided attention.
Now we'll see if anyone is tempted enough to actually select it for an anthology they assemble and purchase.
Nancy has a seriously cool idea with AnthologyBuilder and I sure hope it proves successful for her. I've seen postings for several other author names I know already out there. If you've not considered it for any of your works, especially previously sold stories where the rights have reverted back, you should check it out.
Edit Mar 29: a shout out goes to Simon Owens who has an excellent perspective and further information on AnthologyBuilder over in his blog. Thanks, Simon!
My rant
And my excuse was I avoided staying in touch with news and fan boards for fear of hearing the carnival ride would go on longer than I would have liked.
Something... somehow... today prompted me to finally check status.
Never, ever in my wildest possible thought would I imagine this could happen.
There aren't words to describe just how low I feel about this. And while I should, and eventually will, banish my rant, I'm going to leave it up for a while as a penance for my failure of humility. I need that painful reminder, at least for the time being.
Sigh. You might think the taste of shoe leather would be a considerable deterrent from having a repeat experience.
"Art is never finished, only abandoned." - Leonardo da Vinci
Change the word "Art" to "The revising process" and it pretty much sums up how editing works for most writers. If you have the ability to edit your work to total perfection and walk away utterly satisfied, please take a well deserved bow. Meanwhile, a great many of us will toil on in response to our Editor's lash (note: could be internal or external sourced) until we cry "Uncle!"
I always find it fascinating to hear from writers how they undergo the editing process, their quirks, habits, rituals, etc. Seems to me it's like fingerprints, individually unique, where what works for someone could be nothing short of death by slow poison for another.
If you didn't catch
My son (here in this photo learning how Danes just make terrible lap dogs) approached me today with a story idea he's been pondering. It involved a family affected by terrorism while the dad was away on work travels, which I certainly do at times. The chief arc wasn't the family experiencing unfortunate, random violence from a terrorist act, say, drawn straight from the newspaper headlines. No. It was more sinister. Orwellian even. In my son's tale, the dad returned from a trip to find house and family gone. Vanished. With "the government" implicated due to some alleged family connection to terrorism. The dad then gets to spend the rest of the story figuring out what happened, finding and reuniting with his loved ones.
Wow.
Mind you, this is a young man not quite 12 years old. He does read portions of the newspaper, the comics mainly. We don't let him watch CNN, MSNBC, FOX News or even the local news. We still tend to flip the channel on the car radio when the news comes on. But he, like his brother and so many of their peers, are incredibly bright and aware and worldly now. They know of the global economy and global affairs because they understand that they're directly affected. They don't grasp the how and perhaps not the why parts at length, but they do get it.
Which tears at you, right down the middle. Just when is it not bothersome to witness childhood innocence be displaced by the barbed thorns of truth and reality--hard-knock comprehension and gut-wrenching understanding that no one should be deluded about? Yes, they need to know, but now? If not now, when???
He thought I might write the story. After discussing it a bit, the gears shifted and he felt like he might take a crack at it himself.
My worldly son, the aspiring writer. And the incredible, triumphant, sobering, scary thought is, I can easily picture him being wildly successful. My swollen pride and admiration tempered by imagining what further worldly seasoning he might yet undergo in order to get there.
It really tears at you.
(Photo details: Heimdall is a bull-headed, brutish, lovable, sweetie-pie, rescue Dane who failed to meet standards of the breed. Fortunately, some very good friends of ours didn't give a hoot about breed standards and saw in Heimer a wonderful addition to their family, which he absolutely is. Except he still thinks he's a lap dog. And he won't let you forget it.)
After a careful research and selection process, I sent a few waves of queries out in 2007 for my N1. The small stream of SASEs returned with a variety of form letters, the occasional personalized reply, and one request for a partial. After completing the pass through my filtered list, I took a breather.
Just the past week, another SASE arrived with another form rejection. I estimate the turnaround at somewhere between 7 and 8 months. Yee-oww. I really have to hand it to an agency that chugs through the tidal wave, no matter how long it takes, to get a reply back to the submitter and grant them closure. Though prospective clients and, I expect, the agency itself would much prefer faster response cycles, in this day and age you have to applaud diligence, fortitude, and conscientiousness in the face of near-impossible odds--I'm talking about aspiring writers AND beleaguered agents.
Mettle most impressive.
While on this topic, I'll rattle off a couple of stats I'm seeing in Sonar2...
# of trunked stories: 1 (you fought the good fight, lad, but you've just not got it in you anymore)
# of sales: 2 (net payout = $35)
# stories currently out: 5
longest submission outstanding: 105 days
I suppose I could bump up the trunked stories count by adding ones that never saw the light of day, but why? I'd rather work harder on the other stats.
When you have something great, you want everyone to know. So you tell people about it. You share it. You pass it along to friends everywhere. Well, that’s what we’re doing with InterGalactic Medicine Show. We want to make sure everyone has had a chance to check out what we’re doing, so we’re offering up a sampling of our stories – for free.
During the month of February we are going to make one story from each of our first four issues available at no charge. Two stories will be set free on February 1st, and two more on February 15th. Just visit www.intergalacticmedicineshow.com and explore the table of contents; the free stories will be clearly marked.
Issue one’s free story will be “Trill and The Beanstalk” by Edmund R. Schubert, issue two’s will be “Yazoo Queen” by Orson Scott Card (from his Alvin Maker series), issue three’s “Xoco’s Fire” by Oliver Dale, and issue four’s “Tabloid Reporter To The Stars” by Eric James Stone. Each story is fully illustrated by artists who were commissioned to create artwork to accompany that tale — as is every story published in IGMS.
“Tabloid Reporter To The Stars” will also be featured in the upcoming InterGalactic Medicine Show anthology from Tor, which will be out this August (we wanted you to get a sneak peek of the anthology, too). However, the other three stories aren’t available anywhere except the online version of IGMS.
It’s really quite simple. Great stories. Custom illustrations. Free. We’re pleased with and proud of the magazine we’re publishing; now we’re passing it along to our friends and telling them about it. We hope you’ll enjoy it and do the same.
Edmund R. Schubert
Editor, Orson Scott Card’s InterGalactic Medicine Show
www.intergalacticmedicineshow.com
All this free lunch really costs you is your time, so savor, smile, and spread the word.
